The Brothers Strause ( also known as Greg and Colin ) , director of the raw Aliens vs. Predator flick , are living the FX geek dream . They bought off - the - shelf visual effect software in their early teens , and by 1995 they had move to Los Angeles to work on visual personal effects in the X - Files flick . finally they formed their own effect company called Hydraulx , and have worked on movie like X - Men : The Last Stand , Terminator 3 : Rise of the Machines , and 300 . Aliens Vs . vulture 2 : Requiem is their feature film directorial debut . io9 caught up with them to get the skinny on designing the Predator homeworld , and why we should wish about the humans in this film . Hear what the Brothers Strause order us after the jump .
You guys come from a special effects scope , and this is your first lineament motion picture . Has that help train you to direct a feature ?
Colin : Yes , I mean we ’ve also flash a fortune of euphony videos and commercials , so we ’re used to directing projects , deal with natural endowment , and so on . But also because of our ocular effects background , we ’re used to the survival . We ’ve been on this film for over a year and a half now , whereas on a commercial message the shoot is a week or two , and then mayhap a calendar month or two for post . So the visual effects work definitely get up us for how long these project take .
How tied into the mythology of the original pic is this moving-picture show ? For illustration , in the last AVP moving-picture show , we ascertain Lance Henriksen , who also played the android Bishop in Aliens .
Colin : The mode we endeavor to see the moving picture is that the AVP franchise serves as the bridge between the Predator franchise and the Alien franchise . So , we do a lot of things that are specific tie-in - ins to the piranha movies , and we also try out to to specifically place things into the chronological history of the Alien movie .
You said that you need this skill fable horror tale told with characters that the consultation really cares about . How did you go about that , and is it a moment of a dig at the original AVP motion-picture show ?
Greg : The cast of human fibre is a lot more compelling than in the first movie . We really worked hard at make them relatable people that could be your cousins , your babe , your relatives , your neighbour , and so on .
Colin : Unless your cousin is a billionaire or a mercenary , then you are n’t going to have a hatful in unwashed with the characters in the first movie .
Greg : These are regular everyday working American people , and having that sensation of connection with them is what makes it a little more horrific when we see them getting picked off . We do spend a bit of time in the beginning of the picture setting these masses up and introducing them in a more classic fashion , so you do manage about them when they start getting killed .
Recently an figure was release online that was the first view of the Predator homeworld . What went into that figure ?
Colin : That was a really challenging conceptual thing to shape on . You do n’t desire to just do the Pyramids of Egypt blueprint because that ’s such an easy agency to go with these . What we wanted to do was shew that , even though they are great hunting watch , there ’s also a storey of sophism to them . If you think about it , they ’re very primal , but they have cloaking technology , they have starship , they ’ve been around for chiliad of years . We wanted to somehow give a level of industrialness to their planet , but also ride out true to other pattern we ’ve envision , like the interior of the ship in Predator 2 . We thought that was a really great reference point breaker point because it was sort of Aztecian architecture , but with a lot of outre round curved shapes . The color palette in there was all orange because of their vision , since they do n’t see optical light . There were a circle of affair we saw in the other movies that helped determine our marauder homeworld successiveness .
Greg : It was especially fun to explore the approximation of urban sprawl in a Predator city . You ’ll see that in the film , but it was a cool affair to try and transmit .
So which species is more kickass , the Alien or the vulture ?
Greg : Colin is already known as a Predator fanboy all over the internet .
Colin : Well the thing I like about the marauder is that you’re able to tie in to him more , just because he ’s got puppet , he has weapon , there ’s polish there . With the Alien I wish them just because they scare away the living crap out of you .
Greg : In our film the most powerful one is actually the Predalien cross .
So what ’s next for you guys ?
Colin : We ’re in negotiation on a couple of things already , plus we hope to peradventure work on the next part of the AVP dealership if they ask us .
Greg : Yeah , we feel like the series has start the round of the Earthbound part of the taradiddle , and we ’d like to get thing back out in quad where it started .
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